The Discovery of the alcoves / chapel in our latest renovation has provided a great test for our period brick work and Lime Mortar skills…………………
In The last entry on this fascinating feature……
We talked about uncovering the feature
And how the membrane is in place and the first coat of plaster applied.
A membrane was needed as the feature is underground and really damp. It is now completely dry and is rapidly becoming part of the room as the works proceed.
From the outset it has been important to ensure the the works we did were well recorded and also ‘reversible’ in that nothing we do cannot be undone ,leaving the original feature as found.
Being a lime mortar specialist company , we naturally opted for a lime mortar rather than cement based. With this in mind we have used an NHL 3.5 lime mixed 3:1 with a sharp aggregate and just a little putty to enhance the plasticity of the mix.
To increase the bonding we mixed in a generous amount of cow hair
The lime and hair sourced from Mike Wye and Associates who we find a reliable and very knowledgeable company.
This ‘scratch coat’ helps to stiffen up the membrane and as it is an NHL lime will cure more effectively onto the membrane surface.We thought that a hydrated putty based lime would take a lot longer to cure as well as perhaps having less strength in this context of the membrane.(see pic).
The final stage will be to apply a coat of Anglia Lime’s haired chalk plaster ( Angia Lime Company, Fishers farm,Sudbury, Suffolk).
This wonderful plaster is as close as we have been able to get to the original mix- a creamy consistency, with a heavy dose of hair, it dries slowly to a beautiful finish – we are looking forward to this final stage of the plastering aspect of the project!
We have decided on a york stone floor for the feature- there was no evidence of any other finish and the york stone just looks right!
Oak issues!
As the property is at least 16th Century ,there is a lot of oak in the form of posts, beams and joists.
Unfortunately it has been heavily infested with Death Watch beetle and also furniture beetle to a lesser extent. This means that some of the structural timbers have, or will fail and must be replaced like for like with reclaimed oak sourced from local suppliers wherever possible,Not an easy task -sounds easy until one wants oak of a given length, breadth ,in good condition and of course matching as best we can in colour and texture!
One of the best methods is to recycle the best bits from the oak we have removed-the beetles often follow the sap wood and this can leave lengths of heart wood untouched in the same beam. This oak is of course a perfect match as it is from the house.
The issues come when a long length is needed and we have to go shopping!
We have sourced some of our oak beams from Tw Gaze salvage auctions , but this is always pot luck- great fun though!
Another good source has been Heritage Building Supplies ,who stock a wide range of architectural salvage materials.
Cutting and jointing 400 year old oak is hard work as it tends to be as hard as iron, but really satisfying to see the building coming alive again using traditional practices blended carefully with some contemporary materials such as good insulation and Heraklith Board upon which we place the haired chalk plaster.
( more on this in later entries).









